C.V.

2024

The Human Museum

Klecksography 2024

The Director (u/s)

Philo

2023

The Lady Was a gentleman

Deirdra Ryan

Almost, Maine

Gayle

2022

Love’s Labors: Quarrels and Cravings

Reagan/Cleopatra/Brutus

Mason Players’ Originals

Mary

2021

The Importance of Being Earnest

AlGernon

the Reviews are In

the Reviews are In ✨

“Madison Bacino embodies a person periodically aghast at not being the center of attention, yet compelled to observe in popcorn-munching fascination. Her quiet physicality is balanced by her animated face, and she is a joy to observe even while she gracefully fails to upstage the central action..”

—BroadwayWorld

“Madison’s talent has been essential to our company, consistently impressing clients and resonating with target audiences. Her standout performances led to a client insisting on her for all their projects, highlighting her significant impact on our success”

— Mark Forster, founder and ceo of hesdex productions

“The ladies of this ensemble sparkle like rare gems set in a crown.  Each gives a distinct performance, yet they clearly work together beautifully to complement and support each other as a single unit. While not the most talkative character in the show, Bacino does a fine job balancing the action around her onstage and adding to the comedic ambience of several scenes.  Her dedication to the comedic character-led attention of the candy dish was a real delight towards the end of Act II.

— TheatreBloom

Monologue Reel.

Contrasting monologues from The Last Days of Judas Iscariot by Stephen Adly Guirgis and Tigers be Still by Kim Rosenstock

Commercial Reel.

Selected scenes from Avia Games spots, among others.

Performance Reel.

Selected scenes from Dryland by Ruby Rae Spiegel, Klecksography 2024, and The Lady Was a Gentleman by Barbara Kahn