C.V.
2024
The Human Museum
Klecksography 2024
The Director (u/s)
Philo
2023
The Lady Was a gentleman
Deirdra Ryan
Almost, Maine
Gayle
2022
Love’s Labors: Quarrels and Cravings
Reagan/Cleopatra/Brutus
Mason Players’ Originals
Mary
2021
The Importance of Being Earnest
AlGernon
the Reviews are In
✨
the Reviews are In ✨
“Madison Bacino embodies a person periodically aghast at not being the center of attention, yet compelled to observe in popcorn-munching fascination. Her quiet physicality is balanced by her animated face, and she is a joy to observe even while she gracefully fails to upstage the central action..”
—BroadwayWorld
“Madison’s talent has been essential to our company, consistently impressing clients and resonating with target audiences. Her standout performances led to a client insisting on her for all their projects, highlighting her significant impact on our success”
— Mark Forster, founder and ceo of hesdex productions
“The ladies of this ensemble sparkle like rare gems set in a crown. Each gives a distinct performance, yet they clearly work together beautifully to complement and support each other as a single unit. While not the most talkative character in the show, Bacino does a fine job balancing the action around her onstage and adding to the comedic ambience of several scenes. Her dedication to the comedic character-led attention of the candy dish was a real delight towards the end of Act II.
— TheatreBloom
Monologue Reel.
Contrasting monologues from The Last Days of Judas Iscariot by Stephen Adly Guirgis and Tigers be Still by Kim Rosenstock
Commercial Reel.
Selected scenes from Avia Games spots, among others.
Performance Reel.
Selected scenes from Dryland by Ruby Rae Spiegel, Klecksography 2024, and The Lady Was a Gentleman by Barbara Kahn